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c. 1445 – May 17, 1510. Italian painter.

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Titian
Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius

ID: 87879

Titian Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius
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Titian Maria mit dem Kinde, dem Hl. Stephan, Hl. Hieronymus und Hl. Mauritius


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Titian

Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.  Related Paintings of Titian :. | Concert | Bacchus and Ariadne | Mater Dolorosa | Detail of Martyrdom of St.Laurence | St Jerome |
Related Artists:
Eugenio Gignous
(Milan, 1850 - Stresa (Verbania), 1906) was an Italian painter. The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to views of the Verbano, Mottarone and Val deOssola. Some biographical notes written by the artistes wife Matilde would appear to bear out the hypothesis of a trip to Paris in the company of Carcano in 1878 and attest to friendship with Vincenzo Vela, who was apparently his host on numerous occasions in Ligornetto. A recognised leader of the Lombard school of painting, he lived in Stresa and on the coast of Liguria from 1887 to 1906, his year of his death, with long stays in Venice. The Venice Biennale held a retrospective exhibition of his work in 1907.
Bernat, Martin
Spanish Early Renaissance Painter, 1454-1497
axel gustaf hertzberg
1832-1878 Axel Gustaf Hertzberg född 27 augusti 1832 i Jämtland, död 2 september 1878 i Dusseldorf , Tyskland var en svensk bildkonstnär. Hertzberg ägnade sig först åt porträtteckning och litografi men övergick senare till oljemåleri. Han studerade vid konstakademien i Stockholm 1849-1860. Han gjorde en resa till Finland där han stannade två år. Därefter studerade han konst i Paris, och slutligen Dusseldorf. Hertzberg blev 1867 agre vid konstakdemien i Stockholm.






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